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Lot #40 - Tracey Moffatt

  • Auction House:
    Deutscher and Hackett
  • Sale Name:
    Important Aboriginal + Oceanic Art Auction
  • Sale Date:
    27 Mar 2013 ~ 7pm
  • Lot #:
    40
  • Lot Description:
    Tracey Moffatt
    Born 1960
    Something More No. 3, 1989
    cibachrome print
    98.5 x 128.0 cm
    edition: 14/30; signed, dated and numbered verso: T. MOFFATT '89 14/30
  • Provenance:
    LA Galerie Lothar Albrecht, Frankfurt, Germany; Private collection, Melbourne
  • Exhibited:
    Tracey Moffatt, City Gallery, Wellington, New Zealand, 23 February – 26 May 2002 (another example)
  • References:
    Newton, G. and Moffatt, T., Tracey Moffatt. Fever Pitch, Piper Press, Sydney, 1995 (another complete set from the edition illustrated in colour, pp. 39–57); Riemschneider, B. and Grosenick, U. (eds), Art at the Turn of the Millennium, Taschen, Cologne, 1999, p. 348 (illus., another example); Savage, P. and Strongman, L. (eds), Tracey Moffatt, City Gallery, Wellington, New Zealand, 2002, pp. 11, 19, 26 (illus., another example)
  • Notes:
    The following extract is from Butler, R., and Thomas, M., 'Tracey Moffatt’s Beauty’, in Savage, P. and Strongman, L. (eds), Tracey Moffatt, City Gallery, Wellington, New Zealand, 2002, p. 39 It was the photoseries Something More (1989), along with the short film Night Cries, made the same year, that first brought Tracey Moffatt to critical attention. To summarise a plot that remains almost defiantly elliptical, it is the story of a young woman, of indeterminate racial origins, who dreams of escaping her humdrum existence in outback Australia and getting away to the city. We encounter her in the first image gazing off into the distance, while another woman (her half sister? Her father’s mistress?) looks on indifferently, her own chances of finding 'something more’ long since gone. Later [in Something More No. 3] an Asian boy (a boyfriend? an admirer?) begs her to stay, but after holding up the dress she will wear she packs up and leaves. Before she can reach her destination, however, she is caught up in a bizarre sexual encounter with a highway policewoman or biker. In the last image of the series, she lies slumped in the middle of the road, her beloved dress hitched up around her waist. She is still some three hundred miles short of Brisbane. "Other examples of this print are held in the collections of the National Gallery of Australia, Canberra and the Museum of Contemporary Art, Sydney"
  • Estimate:
    A$15,000 - 20,000
  • Realised Price:
    *****

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  • Category:
    Art

This Sale has been held and this item is no longer available. Details are provided for information purposes only.



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